151, 179–181, 291 (no. 33. 8, ill.), 29, as Omaggio a Pablo Picasso, 1912. 108, pl. Learn more. 5), as Portrait de Pablo Picasso, 1912. 94), as Portait of Picasso (Hommage à Picasso), 1912. Il l’a peinte de plusieurs façons. 15.4, ill.), as Portret van Picasso, 1912. (cat. 7 (ill.), as Hommage à Pablo Picasso, 1911. Saiko, George “The Tragic Position of Abstract Art,” London Studio 5 (January 1933), pp. Musée national Picasso, Paris. Juan Gris et Foredrag (Copenhagen: Wivels Forlag, 1946), n.p. 15 (ill.). 22, ill.), 92, as Omaggio a Pablo Picasso, 1912. Derouet, Christian, Correspondances avec Léonce Rosenberg, 1915-1927 (Paris: Centre Pompidou, 1999), p. 13, as Hommage à Picasso. II, 1958. cat. cat. 10, 11 (ill.), as Portrait of Picasso. Cogniat, Raymond, Les Créateurs du Cubisme, exh. Habasque, Guy, Le cubisme, (Geneva: Skira, 1959), pp. 18, 20, 28, and 117 (ill.); traveled to the Minneapolis Institute of Arts, June 24–July 24, 1958; San Francisco Museum of Art, August 11–September 14, 1958; and Los Angeles County Museum, September 29–October 26, 1958. Portrait de PABLO PICASSO (2019) Signaler Type d'œuvre Oeuvre unique Dimensions 39,4x27,6 in Techniques Huile Support ou surface Toile Encadrement Non Peinture originale à l'huile sur toile ayant eu pour modèle une photographie N&B prise par Arnold Newman à Vallauris en 1954. Peppiatt, Michael, “Summer riches,” Artnews 73, 6 (Summer 1974), p. 76. Il s'agit d'un portrait du peintre Pablo Picasso assis. 26, 94 (fig. 31, ill.), 25, 92, 94, 252, as Homage to Pablo Picasso, 1912. (15 1/8 x 11¾ in.) Roskill, Mark, The Interpretation of Cubism (Philadelphia: Art Alliance Press, 1985), p. 64 (no. (Basel: Kunsthalle, 1948), p. 13 (cat. Gris, Juan, “Uber die Möglichkeiten der Malerei,” trans. 2. Sabartes, Jaime, Picasso: Documents Iconographiques, trans. 18 (ill.), 20, 28, 117, as Portrait of Picasso, 1912. Musée Cantini, Juan Gris: Peintures et dessins 1887–1927, exh. Los Angeles County Museum of Modern Art, The Cubist Epoch, December 15, 1970–February 2, 1971, pp. Nous travaillerons sur Dora Maar 1934. Here he fractured his sitter’s head, neck, and torso into various planes and simple, geometric shapes but organized them within a regulated, compositional structure of diagonals. cat. Buffalo, Albright-Knox Art Gallery, Painters of the Section d’Or: The Alternatives to Cubism, September 27–October 22, 1967, pp. (fig. Galerie Simon, Exposition Rétrospective Juan Gris (1887-1927), exh. New York, Sidney Janis Gallery, Cubism 1910–1912, January 3–February 4, 1956, cat. The painting is a representation of the influential art dealer Ambroise Vollard, who played an important role in Picasso's early career as an artist. Il s’appelait Pablo Picasso. Zurich, Kunsthaus Zurich, Juan Gris, April 2–26, 1933, p. 5, cat. Portús, Javier, The Spanish Portrait: From El Greco to Picasso, exh. cat. (pl. L'enfant au pigeon; Portrait du Père Manyac; Pierreuse, la main sur l'épaule; Portrait de Jaime Sabartés (Le bock) Portrait de Mateu Fernández de Soto; Les deux saltimbanques (Arlequin et sa compagne) Arlequin accoudé; La diseuse; Portrait de … 9), 42 (ill.), as Portrait of Picasso, 1912. Gordon, Donald E., Modern Art Exhibitions 1900–1916, vol. Clark, Eliot, “New York Commentary,” Studio 156, 787 (October 1958), p. 122, as Portrait of Picasso, 1912. 84, 329 (ill.), 563, as Bildnis Picassos, 1911. (Boulogne-Billancourt: Musée Municipal, 1987), p. 54, as Un Hommage. (Paris: Galerie Simon, 1928), n.p. Self Portrait - by Pablo Picasso. Discover and collect art from Pablo Picasso’s iconic Portraits of Artists and Sculptors series and more. 28 (fig. 94, fig. cat. Wertenbaker, Lael, The World of Picasso (New York: Time Life Books, 1967), pp. Berger, John, The Success and Failure of Picasso (Baltimore: Penguin Books, 1965), p. 58 (fig. Pablo Picasso, Jacqueline de profil (Buste de femme au corsage blanc),1958 Pablo Picasso, 1881-1973 Museum für Neue Kunst, Die Kunst der Frühen Jahre Freiburg 1945–60, exh. En 2016, un collage de Picasso de 1914 est acquis par le musée de Grenoble pour la somme de 750 000 euros [98]. (Bern: Kunstmuseum, 1955), n.p. cat. (New York: Museum of Modern Art, 1936), pp. cat. (cat. 1, ill.), as Ritratto di Picasso, 1912. Amsterdam, Gemeentemuseum, Tentoonstelling van Fransche Kunst: Ecole de Paris, April 1932, cat. (fig. Frontisi, Claude, “La peinture lucide de Juan Gris,” in Hommage a Juan Gris (1887–1927): Centenaire de sa naissance (Paris: L’Avenir Graphique, 1987), p. 15, as Hommage à Picasso. VI (ill.), as Portrait de Picasso, 1912. cat. (Paris: Éditions des Musées Nationaux, 1953), p. 37, as Hommage à Picasso, 1912. Mosele, Franz, Die kubistische Bildsprache von Georges Braque, Pablo Picasso und Juan Gris unter besonderer Berücksichtigung der Entwicklung der Farbe (Ph.d. Dissertation, University of Zurich, 1973), pp. Madrid, Spain, Ministry of Culture, Juan Gris [1887–1927], September 20–November 24, 1985, pp. 13), n.p. 108, pl. Rosenblum, Robert, Cubism and Twentieth-Century Art (New York: Harry N. Abrams, 1960), pp. “Two New Cubist Paintings by Juan Gris and Pablo Picasso,” Bulletin of the Cleveland Museum of Art 68, 2 (February 1981), pp. (fig. Kunsthalle Baden-Baden, Juan Gris, exh. Paris, Centre national d’art et de culture Georges Pompidou, Le Futurisme et Paris, October 15, 2008–January 26, 2009. (New York: Museum of Modern Art, 1942), p. 50 (ill.), as Pablo Picasso, 1912. 11, ill.), 48, as Portrait of Pablo Picasso. 2019 - Découvrez le tableau "Portrait picasso" de thomas.nrmd sur Pinterest. 87, ill.), as Portrait of Picasso, 1912. Salazar, María José, Juan Gris 1887–1927, exh. 2), as Bildnis Picassos. 41), as Portrait de Pablo Picasso, 1912. The uneven two-toned face of the subject suggests an inner conflict within the artist, as well as between artist and subject. cat. 200 (no. (Zurich: Kunsthaus, 1933), p. 5 (cat. 7 (ill.); traveled Cologne, Wallraf-Richartz Museum, December 28, 1965–February 13, 1966, as 1911/12. The artist knew that she had a difficult task, explains curator Jay A. Clarke, but never flinched from her convictions. Picasso joue avec habitudes de vision, la tête est représentée à la fois de face et de profil. 185, 193, 194 (fig. Infos tableau. Warnod, Jeanine, Washboat Days, trans. Pablo Picasso Paintings. cat. (Madrid: Museo Nacional Centro de Arte Reina Sofía. Galerie Georges Petit, Cent ans de peinture française, exh. New York, Museum of Modern Art, Cubism and Abstract Art, March 2–April 19, 1936, pp. (Paris: Paris Musées, 2000), pp. Juan Gris peint le portrait en 1912. cat. Paris, Galerie Simon, Exposition Retrospective Juan Gris, June 4–16, 1928, cat. 198–199 and 341 (ill.), as Hommage à Pablo Picasso. Larson, Kay, “The Genius of Gris,” New York Magazine (June 11, 1984), p. xx, as Portrait of Picasso, 1912. (cat. Bern, Kunsthalle, Georges Braque, Juan Gris, Pablo Picasso, April 2–29, 1948, cat. 9, ill.), 27, 45, as Portrait of Picasso, 1911-12. Pablo Picasso, 1881-1973 Portrait de jeune Fille, d'après Cranach le Jeune. 198, 199 (ill.), 341, as Hommage à Pablo Picasso, 1912. Art Institute, The Art Institute of Chicago: 100 Masterpieces (Chicago: Art Institute, 1978), p. 128 (no. cat. (Bern: Kunsthalle, 1948), n.p. 14, 15–18, 25, 29–30, 43, 45, 115, 118–119, 120, 172 (pl. 79, ill.), as Portait of Picasso, 1912. Gaya-Nuño, Juan Antonio, Juan Gris (Barcelona: Ediciones Polígrafa, 1974), pp. 122, ill.), as Portrait of Picasso, 1912. iceuvre Portrait de Dora Maar Dora Maar, muse et artiste Quand Pablo Picasso peint cette toile, Henriette Theodora Markovitch, alias «Dora Maar», est entrée dans sa vie depuis la fin de l année 1935. Log in. (Madrid: Ministerio de Cultura, 1985), pp. (ill.). Leymarie, Jean, Picasso: Métamorphoses et unité (Geneva: Skira, 1971), p. 226 (ill.), as Portrait de Picasso, 1912. Cooper, Douglas, “Gertrude Stein and Juan Gris,” Apollo 93, 107 (January 1971), p. 29, as Portait of Picasso, 1912. Museum Bochum, Hommage à Picasso, Kubismus und Musik, exh. Sell. Berner Kunstmuseum, Juan Gris, exh. Wood, James N. and Debra N. Mancoff, Treasures from The Art Institute of Chicago (Chicago: Art Institute, 2000), p. 246 (ill.), as Portrait of Pablo Picasso, 1912. Artists ... Vieux Sculpteur et Jeune Modèle avec le Portrait sculpté du Modèle (S.V. cat. (Baden-Baden: Woldemar Klein, 1948), pp. 33, ill.), 211 (cat. It is now housed in the Pushkin Museum in Moscow. Vicente, Esteban, “Gris: reality cubed,” Art News 57, 3 (May 1958), p. 33 (fig. Mock, Jean Yves, “Notes from Paris and London: Juan Gris, A Retrospective Exhibition, at the Marlborough Gallery,” Apollo 67, 397 (March 1958), p. 88. 35 (fig. cat.. New York, Museum of Modern Art, Juan Gris, April 9–June 1, 1958, pp. Wood, James N., Treasures of 19th-and 20th-Century Painting: The Art Institute of Chicago (New York: Abbeville Press, 1993), p. 208 (ill.), as Portrait of Pablo Picasso, 1912. 41, as Hommage à Picasso. (Buffalo: Fine Arts Academy, 1936), p. 7 (cat. Editorial. 9 (ill.). Green, Christopher, Art in France 1900–1940 (New Haven, Conn.: Yale University Press, 2000), pp. Etienne Bignou, Paris.”, Buffalo Fine Arts Academy, Albright Art Gallery, The Art of Today, January 3–31, 1936, p. 7, cat. 40, ill.), as Portait of Pablo Picasso, 1912. Kahnweiler, David-Henry, Juan Gris (Milan: Fratelli Fabbri, 1967), n.p. cat. D’Alessamdro, Stephanie, Matisse: Radical Invention 1913-1917, exh. Portrait de Françoise – Pablo Picasso C’est l’un des portraits les plus lyriques de Françoise Gillet – une femme, en regardant les photographies dont vous comprenez qu’il y a en elle quelque chose de surnaturel qui la distingue des autres. cat. Portrait of Ambroise Vollard (French: Portrait de Ambroise Vollard) is an oil-on-canvas painting by Pablo Picasso, which he painted in 1910. Kahnweiler, Daniel-Henry, Juan Gris: sa vie, son œuvre, ses écrits (Paris: Gallimard, 1946), pp. 41), as Hommage à Picasso, 1912. 113), 207 (ill.), 215, 222, as Homage to Pablo Picasso, 1912. Sidney Janis Gallery, Ten Years of Janis, exh. Galerie Alfred Flechtheim, In Memoriam Juan Gris, 1887-1927, exh. cat. At the same time, the inscription helped Gris solidify his own place within the Paris art world when he exhibited the portrait at the Salon des Indépendants in the spring of 1912. Blanco, Dolores Jiménez, Juan Gris (Madrid: Electa, 1999), pp. (London: Alex Reid and Lefevre, 1938), n.p. Museo Nacional de Bellas Artes, Juan Gris en Buenos Aires, exh. (pl. Kunsthalle Basel, Juan Gris, Georges Braque, Pablo Picasso, exh. Speyer, A. James “Twentieth-Century European Painting and Sculpture,” Apollo 84 (September 1966), p. 222, as Portrait of Picasso, 1912. Kunsthalle Bern, Georges Braque, Juan Gris, Pablo Picasso, exh. Cooper, Douglas, Juan Gris : catalogue raisonné de l’œuvre peint (Paris: Berggruen, 1977), pp. 112, 113 (fig. Pinterest Puis les différents portraits. 114, 115 (ill.), as Portrait of Picasso, 1912. Galería Theo, Juan Gris, exh. Kahnweiler, Daniel-Henry, Der Weg zum Kubismus (Stuttgart: Gerd Hatje, 1958), p. 94 (ill.), as Picasso, 1912. 5. Henry, Daniel, Juan Gris (Leipzig: Klinkhardt and Biermann, 1929), p. 2 (ill.), as Bildnis Picassos, 1912. (cat. (fig. 4, and 122–123, cat. 41 (fig. Arnason, H. H., History of Modern Art: Painting, Sculpture, Architecture (New York: Harry N. Abrams, 1968), pp. 4, ill.), 122 (cat. (Saint-Tropez: Musée de Saint-Tropez, 1999), p. 181, as Hommage à Picasso. “Je ne représente pas le monde tel que je le vois, mais tel que je le pense”, a déclaré l’artiste. cat. (cat. John Szoke. 200–201, no. A l'occasion des 100 ans de la mort du DOUANIER ROUSSEAU, la Fondation Beyeler organise une exposition regroupant une quarantaine d'oeuvres de l’artiste, portraits, paysages et allégories qui ont influencés les artistes comme Kandinsky, Léger ou Picasso. Cottington, David, Cubism (Cambridge: Cambridge University Press, 1998), pp. Centre Georges Pompidou, Les années cubistes: collections du Centre Georges Pompidou, Musée national d’art moderne et du Musée d’art moderne de Lille Metropole, Villeneuve d’Ascq (Paris: Centre Georges Pompidou, 1999), p. 138, as Hommage à Pablo Picasso. 21, ill.), as Hommage à Picasso, 1912. 306, 320, and 379–380, cat. Exposition «Henri Rousseau» Fondation Beyeler BALE du 7 février 2010 au 9 mai 2010. 22, 23 (fig. 2A7), 45, as Portrait of Picasso, 1912. The artist further ordered the composition of this portrait by limiting his palette to cool blue, brown, and gray tones that, in juxtaposition, appear luminous and produce a gentle undulating rhythm across the surface of the painting.Gris depicted Picasso as a painter, palette in hand. Sidney Janis Gallery, Cubism 1910-1912, exh. 3, ill.). (Berlin: Galerie Alfred Flechtheim, 1930), n.p. O’Brian, Patrick, Pablo Ruiz Picasso (New York: G. P. Putnam’s Sons, 1976), p. 196, as Hommage à Picasso. Just six years later, Gris too was known as a Cubist and identified by at least one critic as “Picasso’s disciple.” Gris’s style draws upon Analytic Cubism—with its deconstruction and simultaneous viewpoint of objects—but is distinguished by a more systematic geometry and crystalline structure.
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