13, 24, 25 (fig. Barr, Alfred H., Jr. et al., Cubism and Abstract Art, exh. cat. Gordon, Donald E., Modern Art Exhibitions 1900–1916, vol. Self Portrait - by Pablo Picasso. 11, 21 (cat. 18 (ill.), 20, 28, 117, as Portrait of Picasso, 1912. Immenga, Silke, Picasso und Spanien: Kulturelle Identität als Strategie (Frankfurt am Main: Peter Lang, 2000), pp. Museum Bochum, Hommage à Picasso, Kubismus und Musik, exh. Il n’est pas réaliste et on dit qu’il est « cubiste ». [4], In the 1930s, the Portrait of Pablo Picasso by Modigliani was owned by Pablo Picasso, as well as some other Modigliani's work, including Girl with Brown Hair, dating from 1918. 378), as Bildnis Pablo Picasso. (Dresden: Internationale Kunstausstellung, 1926), p. 66 (cat. cat. Kahnweiler, David-Henry, Juan Gris (Milan: Fratelli Fabbri, 1967), n.p. 24–25, 152, and 177, cat. (cat. Reed, Judith Kaye, “Cubism Reviewed,” Art Digest 23, 14 (April 15, 1949), p. 16 (ill.), as Homage to Picasso. Peppiatt, Michael, “Summer riches,” Artnews 73, 6 (Summer 1974), p. 76. 1, ill.), as Portrait of Pablo Picasso, 1912. L'enfant au pigeon; Portrait du Père Manyac; Pierreuse, la main sur l'épaule; Portrait de Jaime Sabartés (Le bock) Portrait de Mateu Fernández de Soto; Les deux saltimbanques (Arlequin et sa compagne) Arlequin accoudé; La diseuse; Portrait de … Minneapolis Institute of Arts, Bulletin of the Minneapolis Institute of Art 25, 33 (December 5, 1936), cover (ill.), as Portrait of Picasso, 1912. 8, ill.), 29, as Omaggio a Pablo Picasso, 1912. (Paris: Éditions des Musées Nationaux, 1953), p. 37, as Hommage à Picasso, 1912. [2], Modigliani and Picasso first met in Paris in 1906 when Modigliani lived in Le Bateau-Lavoir artistic community where Picasso had a studio and worked on such works as Les Demoselles d’Avignon. “Juan Gris,” Cahiers d’Art 5–6 (1933), n.p. B. Schiratzki, Der Querschnitt 5, 1 (January 1925), p. 33 (ill.), as Bildnis Picasso, 1910. 185, 193, 194 (fig. (ill.). Martini, Alberto, Picasso e il cubismo (Milan: Fratelli Fabbri, 1967), pp. 49), 32 (ill.), 78, 81, 240, as Retrato de Picasso, 1912. Voici le portrait d’une d’elles : Dora Maar. In the autumn of 1905, on his return to Paris from Gosol, Picasso at last succeeded in completing his adamantine Portrait of Gertrude Stein, which he had begun … 3, ill.). (Madrid: Museo Nacional Centro de Arte Reina Sofía. De même pour le corps. Large Bather - by Pablo Picasso. 28 (fig. Soby, James Thrall, Juan Gris, exh. Daix, Pierre, Dictionnaire Picasso (Paris: Robert Laffont, 1995), p. 419, as Portait de Picasso, 1912. (Madrid: Galería Theo, 1977), n.p. Pablo Ruiz Picasso, né à Malaga (Espagne) le 25 octobre 1881 et mort le 8 avril 1973 à Mougins (Alpes-Maritimes, France), est un Huile sur toile. (cat. iceuvre Portrait de Dora Maar Dora Maar, muse et artiste Quand Pablo Picasso peint cette toile, Henriette Theodora Markovitch, alias «Dora Maar», est entrée dans sa vie depuis la fin de l année 1935. 15 (ill.). 94, fig. Inscripciones S.D.DR.B.M. (fig. 33, ill.), 211 (cat. 1426, as Figure. (cat. 7, ill.), as Hommage à Pablo Picasso, 1911. Si l’on a he l’œil droit, le portrait est un profil normal. 4, ill.), 84 (ill.), as Retrato de Pablo Picasso, 1912. (Freiburg: Städtische Museen, Museum für Neue Kunst, 1992), p. 46 (ill.). Warnod, Jeanine, Washboat Days, trans. New York, Sidney Janis Gallery, Cubism 1910–1912, January 3–February 4, 1956, cat. Sidney Janis Gallery, Ten Years of Janis, exh. cat. Habasque, Guy, Le cubisme, (Geneva: Skira, 1959), pp. 0,184/0,119 cm. Juan Gris et Foredrag (Copenhagen: Wivels Forlag, 1946), n.p. 30i. 41 (fig. Date 1947 Dimensions 65,5 x 56 cm Technique Huile sur toile Emplacement Théâtre-Musée Dalí 41), as Hommage à Picasso, 1912. 86 (fig. Paris, Orangerie des Tuileries, Juan Gris, March 14–July 1, 1974, pp. Sidney Janis Gallery, Cubism 1910-1912, exh. cat. 47 (fig. (cat. Musée Municipal de Boulogne-Billancourt, Juan Gris: et les dimanches de Boulogne, exh. 48 (pl. Courthion, Pierre “Juan Gris, le logicien du cubisme,” XXe siecle 36, 43 (December 1974), p. 38, as Hommage à Picasso. From Sims Reed Gallery, Pablo Picasso, Portrait de Jacqueline (1956), Offset lithograph in colours., 66.8 × 50.3 cm Speyer, A. James “Twentieth-Century European Painting and Sculpture,” Apollo 84 (September 1966), p. 222, as Portrait of Picasso, 1912. Saiko, George “The Tragic Position of Abstract Art,” London Studio 5 (January 1933), pp. Sabartes, Jaime, Picasso: Documents Iconographiques, trans. Portrait de Pablo Picasso est une peinture à l'huile sur toile. Galería Theo, Juan Gris, exh. Silver, Kenneth, “Eminence Gris,” Art in America (May 1984), p. 154 (ill.), as Portrait of Picasso, 1912. by Franca Minoia (Milan: Il Balcone, 1945), p. 141 (ill.), as Omaggio a Picasso, 1911. 112, 113 (fig. 7, ill.), as Portrait of Picasso, 1911/12. Cox, Neil, Cubism (London: Phaidon, 2000), pp. 16 (ill.), 17 (detail), 63, as Retrato de Pablo Picasso, 1912. Golding, John, “Shorter Notices: Juan Gris at Berne,” Burlington Magazine 97, 633 (December 1955), p. 385, as Hommage à Picasso, 1912. Cabanne, Pierre, Cubism (Paris: Pierre Terrail, 2001), pp. Buffalo, Albright-Knox Art Gallery, Painters of the Section d’Or: The Alternatives to Cubism, September 27–October 22, 1967, pp. Musée de Saint-Tropez, Les chemins du cubisme, exh. Pablo Picasso (Spain 1881-1973), Portrait de Dora Maar. Golding, John, Cubism: A History and an Analysis, 1907–1914 (New York: George Wittenborn, 1959), pp. 2A7), 45, as Portrait of Picasso, 1912. Hattendorff, Claudia, Künstlerhommage: Ein Bildtypus im 19. und 20. 108, pl. (Berlin: Galerie Alfred Flechtheim, 1930), n.p. cat. 190, 320 (fig. cat. Portús, Javier, The Spanish Portrait: From El Greco to Picasso, exh. $35,000. Rappel de la lecture du portrait chez Picasso. PABLO PICASSO (1881-1973) Portrait de Déodat de Séverac signé 'picasso' (en bas à droite) feutre sur papier 38.4 x 30 cm. Madrid, Museo Nacional del Prado, The Spanish Portrait: From El Greco to Picasso, October 20, 2004–February6, 2005, pp. Blanco, Dolores Jiménez, Juan Gris (Madrid: Electa, 1999), pp. Penrose, Roland, Portrait of Picasso (London: Lund Humphries, 1956), p. 39 (fig. Infos tableau. (Bern: Kunstmuseum, 1955), n.p. Galerie Alfred Flechtheim, In Memoriam Juan Gris, 1887-1927, exh. Hoffman, Edith, “Juan Gris at the Orangerie,” Burlington Magazine 141, 855 (June 1974), p. 357. 2), 87 (ill.), as Omaggio a Picasso, 1912. Kunsthalle Baden-Baden, Juan Gris, exh. 40, ill.), as Portait of Pablo Picasso, 1912. Centre Georges Pompidou, Les années cubistes: collections du Centre Georges Pompidou, Musée national d’art moderne et du Musée d’art moderne de Lille Metropole, Villeneuve d’Ascq (Paris: Centre Georges Pompidou, 1999), p. 138, as Hommage à Pablo Picasso. McCully, Marilyn and Michael Raeburn, Il cubismo: Rivoluzione e tradizione, exh. Paris, Musée d’Art Moderne de la Ville de Paris, L’Ecole de Paris, 1904–1929: la part de l’Autre, November 30, 2000–March 11, 2001, pp. Gris depicted Picasso as a painter, palette in hand. Object information is a work in progress and may be updated as new research findings emerge. 9, ill.), 27, 45, as Portrait of Picasso, 1911-12. Sold, Hôtel Drouot, Paris, June 13–14, 1921, Kahnweiler sequestration sale, lot 49, to “Grassat” for Galerie Simon [letter from Kahnweiler of October 21, 1975 and December 2, 1975 in curatorial file]. cat (Art Institute of Chicago, 2010), p. 237-238, fig. Portrait de Pablo Picasso. 200 (no. Berger, John, The Success and Failure of Picasso (Baltimore: Penguin Books, 1965), p. 58 (fig. (fig. Musée national Picasso, Paris. Art Institute, Annual Report 1958-1959 53, 3 (October 1959), pp. Pablo Picasso Portrait stylise de Jacqueline (Tête de Femme) (Stylized portrait of Jacqueline (Head of a Woman)), 1962 is a vibrant linocut featuring warm golden yellows set against stark black.The work is one of many portraits Picasso created of his second wife Jacqueline Roque, one of his most infamous artistic muses. Basel, Kunsthalle, Juan Gris, Georges Braque, Pablo Picasso, February 26–March 24, 1948, cat. cat. Editorial. (Madrid: Museo Nacional del Prado, 2004), pp. Boston, Institute of Contemporary Art, The Image Lost and Found, May 14–August 28, 1960, p. 48, cat. 2001), p. 91, 104 (ill.), 106 (ill.), as Homenaje a Picasso. Burlington Magazine 143, 885 (December 1976), p. 878 (fig. 3, ill.), as Hommage à Picasso. Tiberi, Jean, L’École de Paris, 1904–1929: la part de l’autre, exh. no. 225; traveled to New York, Metropolitan Museum of Art, April 7–June 7, 1971. 12 nov. 2019 - Découvrez le tableau "Pablo picasso dessins" de Mahaagrebi sur Pinterest. (Saint-Tropez: Musée de Saint-Tropez, 1999), p. 181, as Hommage à Picasso. Los Angeles County Museum of Modern Art, The Cubist Epoch, December 15, 1970–February 2, 1971, pp. Alex Reid and Lefevre, L’Ecole de Paris, exh. cat. 22, 23 (fig. Portrait of Pablo Picasso is an oil on paper mounted on card painting by Italian artist Amedeo Modigliani created in 1915. (ill.), as Portrait de Picasso, 1912. Medidas 140 x 140 cm. (Boston: Institute of Contemporary Art, 1960), pp. Cunningham, Charles C. and John Maxon, Anselmo Carini, Instituto de arte de Chicago, El mundo de los museos (Buenos Aires: Éditorial Codex, S.A., 1967), pp. cat. 4, ill.), as Hommage à Pablo Picasso, 1912. cat. 41. Wheeler, Monroe, 20th century Portraits, exh. London, Alex Reid and Lefevre, L’Ecole de Paris, November 1938, cat. VI (ill.), as Portrait de Picasso, 1912. Pablo Picasso Paintings. Pablo Picasso, 1881-1973 Portrait de jeune Fille, d'après Cranach le Jeune. (Boulogne-Billancourt: Musée Municipal, 1987), p. 54, as Un Hommage. 9, 64 (ill.), 66, as Homage à Picasso. (Paris: Paris Musées, 2000), pp. (Ferrara: Ferrara Arte, 2004), pp. (Bern: Kunsthalle, 1948), n.p. 72 (ill.), 73, as Portrait of Pablo Picasso, 1912. V.90, ill.), 83, as Hommage à Pablo Picasso, 1912. 48, 56 (cat. Log in. Grohmann, Will, “Die Kunst der Gegenwart auf der Internationalen Kunstausstellung Dresden, 1926,” Der Cicerone 18 (June 1926), p. 400 (ill.), as Bildnis Picasso. Mock, Jean Yves, “Notes from Paris and London: Juan Gris, A Retrospective Exhibition, at the Marlborough Gallery,” Apollo 67, 397 (March 1958), p. 88. Learn more. Bréon, Emmanuel, Juan Gris à Boulogne (Paris: Herscher, 1992), p. 17 (ill.), as Hommage à Picasso, 1912. Gris, Juan, “Uber die Möglichkeiten der Malerei,” trans. 3, ill.), as Portrait of Picasso, 1912. cat. Der Querschnitt 8, 7 (July 1928), p. 506 (ill.). 85 (ill.), as Homage to Pablo Picasso. Kahnweiler, Daniel-Henry, Les années héroiques du cubisme (Paris: Braun, 1950), n.p. II, 1958. Museo Nacional de Bellas Artes, Juan Gris en Buenos Aires, exh.
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